Contact Molly Peacock
Author of The Paper Garden: Mrs. Delany Begins Her Life’s Work At 72
Get in touch
For inquiries about the book, speaking engagements, or media requests, please reach out directly or contact the publicist for your region.
Botanical imagery evoking the cut-paper collages of Mrs. Delany.
Publicists by region
Bookings, media, and rights inquiries are handled regionally.
| Region | Contact | Publisher | |
|---|---|---|---|
| USA | Sara Mercurio 310-822-4536 |
Bloomsbury USA | sara.mercurio@peacockpapergarden.com |
| Canada | Ruta Liomonas 416-598-1114 ext 293 |
McClelland and Stewart | rliormonas@peacockpapergarden.com |
| Australia & New Zealand | Cora Kipling +61 3 9388 8780 |
Scribe Publications | cora@peacockpapergarden.com |
Inviting Molly to speak
To invite Molly Peacock to give a presentation from The Paper Garden, presentations may include a reading, projected images of Mrs. Delany’s work, a cut paper workshop, or a demonstration of how the collages were constructed.
Learn more about the author
Discover Molly Peacock’s previous books of poetry and nonfiction.
Reaching out to an author whose work celebrates art made late in life can feel like joining a conversation across centuries. The contact page here serves as a quiet doorway, inviting readers, event organizers, and curious minds to begin a dialogue about craft, biography, and the enduring appeal of a garden built from paper. Whether your interest is in literary readings, thoughtful reviews, or simply learning more about the woman who began her life's work at seventy-two, the invitation is open and unhurried, much like the careful cutting of a delicate petal meant to last.
Authors who write about creativity and reinvention often welcome correspondence from those who feel inspired by their subjects. A page devoted to contact information acknowledges that books are not solitary objects but living exchanges between writers and readers. Inquiries about speaking engagements, media appearances, or the deeper stories behind a biography each carry their own kind of curiosity, and a simple message can open paths to interviews, classroom visits, or community gatherings where the themes of the book can be explored together in conversation.
The design of a contact page reflects the spirit of the work it accompanies, and here the clean layout and generous spacing echo the patience required to assemble hundreds of tiny paper flowers. Soft color transitions and uncluttered fields encourage visitors to take their time, crafting a thoughtful note rather than a hurried one. The structure invites both professional inquiries and personal reflections, recognizing that a book about art, botany, and the long arc of a creative life can spark many kinds of correspondence from many kinds of readers.
Beyond direct messages, authors often rely on regional publicists and publishing contacts to handle the wider logistics of bringing a book into the world. A well-organized contact page quietly acknowledges this network, offering pathways for editors, event planners, and rights teams to connect through appropriate channels. This behind-the-scenes support allows the writer to focus on the work itself, while readers and collaborators alike benefit from a clear, welcoming structure that makes reaching out feel less like a formality and more like an invitation to participate in a shared appreciation of literature.